In some of the novels virtue triumphs in others the evil is so monumental that everything good in its path is destroyed, and then it destroys itself. Opposed to these is a virtuous maiden who is at once repelled and attracted by the evil around her. In Gothic fiction forces of evil predominate, usually in the person of a great villain. Afterward, though such fiction continued to appear for decades, the Gothic type diverged into different styles, including the detective, or mystery, story and the horror story. The great age of the Gothic novel began in 1765 with the publication of Horace Walpole’s successful Castle of Otranto, and it lasted until about 1820. It commonly featured castles and monasteries equipped with subterranean passages, hidden panels, chambers of torture, and dark towers. This type of fiction was called Gothic because much of its inspiration was drawn from medieval buildings and ruins, many of which are Gothic in architectural style. This movement represented a reaction against the “age of reason,” or the Enlightenment, that had dominated the thought of the time ( see Enlightenment). Also called Gothic romance and Gothic novel, Gothic fiction emerged late in the 18th century as part of the Romantic movement in the arts. Yet, they have different meanings of their own.In Gothic fiction the reader passes from the reasoned order of the everyday world into a dark region governed by supernatural beings, a region that inspires dread and horror, where decay abounds and death is always at hand. However, some words come very close to it in meanings such as sounds, imitation of sounds, onomatope, alliteration, echo, echoism, and mimesis. The use of onomatopoeic words helps create emphasis. Moreover, a simple plain expression does not have the same emphatic effect that conveys an idea powerfully to the readers. The beauty of onomatopoeic words lies in the fact that they are bound to have an effect on the readers’ senses, whether that effect is understood or not. Hence, the reader cannot help but enter the world created by the poet with the aid of these words. Onomatopoeia, on the other hand, helps readers to hear the sounds of the words they reflect. Generally, words are used to tell what is happening. The rhythm and length of the above lines, along with the use of “hissing” sounds, create a picture of a snake in the minds of the readers. “He reached down from a fissure in the earth-wall in the gloomĪnd trailed his yellow-brown slackness soft-bellied down, over theĪnd rested his throat upon the stone bottom,Īnd where the water had dripped from the tap, in a small clearness Lawrence, in his poem Snake, illustrates the use of this form: Phanopoeia is a form of onomatopoeia that describes the sense of things, rather than their natural sounds. Onomatopoeia, in its more complicated use, takes the form of phanopoeia. To the moaning and the groaning of the bells. I never knew just what it was and I guess I never will.” Example #5: Get Me to the Church on Time By Alan Jay Lerner and Frederick Loeweĭing dong! the bells are gonna chime.” Examples #6: The Bells by Edgar Allen Poe “It went zip when it moved and bop when it stopped, “He saw nothing and heard nothing but he could feel his heart pounding and then he heard the clack on stone and the leaping, dropping clicks of a small rock falling.” Example #4: The Marvelous Toy By Tom Paxton
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